Simon Callow
Born
in Streatham, London, The United Kingdom
June 13, 1949
Website
Genre
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Orson Welles, Volume 1: The Road to Xanadu (Orson Welles, #1)
15 editions
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published
1995
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Charles Dickens and the Great Theatre of the World
16 editions
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published
2012
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Orson Welles, Vol. 2: Hello Americans (Orson Welles, #2)
10 editions
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published
2006
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Being Wagner: The Story of the Most Provocative Composer Who Ever Lived
9 editions
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published
2017
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Orson Welles, Vol. 3: One-Man Band (Orson Welles, #3)
8 editions
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published
2015
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Being An Actor
22 editions
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published
1984
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Charles Laughton: A Difficult Actor
21 editions
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published
1987
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The Night of the Hunter
6 editions
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published
2001
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My Life in Pieces
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published
2011
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Love is Where it Falls
17 editions
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published
1999
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“To enter a theatre for a performance is to be inducted into a magical space, to be ushered into the sacred arena of the imagination.”
― Charles Dickens and the Great Theatre of the World
― Charles Dickens and the Great Theatre of the World
“He had done it as if in preparation for his work as a creative writer: he had mastered the technical aspect of writing, strengthening his verbal muscle, so that when he started to use his imagination, he knew exactly how to express himself.”
― Charles Dickens and the Great Theatre of the World
― Charles Dickens and the Great Theatre of the World
“He very soon acquired the reputation of being the best public speaker of his time. He had taken pains to master the art, approaching it with scientific precision. On the morning of a day on which he was giving a speech, he once told Wilkie Collins, he would take a long walk during which he would establish the various headings to be dealt with. Then, in his mind’s eye, he would arrange them as on a cart wheel, with himself as the hub and each heading a spoke. As he dealt with a subject, the relevant imaginary spoke would drop out. When there were no more spokes, the speech was at an end. Close observers of Dickens noticed that while he was speaking he would make a quick action of the finger at the end of each topic, as if he were knocking the spoke away.”
― Charles Dickens and the Great Theatre of the World
― Charles Dickens and the Great Theatre of the World
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