Roxy > Roxy's Quotes

“I may not have gone where I intended to go, but I think I have ended up where I needed to be.”
― douglas adams, The Long Dark Tea-Time of the Soul

“I refuse to answer that question on the grounds that I don't know the answer”
― Douglas Adams

“A learning experience is one of those things that says, 'You know that thing you just did? Don't do that.”
― Douglas Adams, The Salmon of Doubt: Hitchhiking the Galaxy One Last Time

“You live and learn. At any rate, you live.”
― Douglas Adams, Mostly Harmless

“He felt that his whole life was some kind of dream and he sometimes wondered whose it was and whether they were enjoying it.”
― Douglas Adams, The Hitchhiker’s Guide to the Galaxy

“What to do if you find yourself stuck in a crack in the ground underneath a giant boulder you can't move, with no hope of rescue. Consider how lucky you are that life has been good to you so far. Alternatively, if life hasn't been good to you so far, which given your current circumstances seems more likely, consider how lucky you are that it won't be troubling you much longer.”
― Douglas Adams, The Original Hitchhiker Radio Scripts

“I think that you are the liar!" I say, my voice quaking.
"You tell me you love me, you trust me, you think I'm more perceptive than the average person. And the first second that belief in my perceptiveness, that trust, that love is put to the test, it falls apart." I am crying now, but I am not ashamed of the tears shining on my cheeks or the thickness of my voice. "So you must have lied when you told me all those things... you must have, because I can't believe your love is really that feeble.”
― Veronica Roth

“Peter would probably throw a party if I stopped breathing.'

'Well,' he says, 'I would only go if there was cake.”
― Veronica Roth, Divergent

“You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."

He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.

"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.

His dark eyes lifting to mine, he adds, "But I resist it."

"Why..." I swallow hard. "Why is that your first instinct?"

"Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just want to see it again. Want to see you awake.”
― Veronica Roth, Divergent

“I have something I need to tell you," he says. I run my fingers along the tendons in his hands and look back at him. "I might be in love with you." He smiles a little. "I'm waiting until I'm sure to tell you, though."
"That's sensible of you," I say, smiling too. "We should find some paper so you can make a list or a chart or something."
I feel his laughter against my side, his nose sliding along my jaw, his lips pressing my ear.
"Maybe I'm already sure," he says, "and I just don't want to frighten you."
I laugh a little. "Then you should know better."
"Fine," he says. "Then I love you.”
― Veronica Roth, Divergent

“Then I realize what it is. It's him. Something about him makes me feel like I am about to fall. Or turn to liquid. Or burst into flames.”
― Veronica Roth, Divergent

“For a few minutes we kiss, deep in the chasm, with the roar of water all around us. And we rise, hand in hand, I realize that if we had both chosen differently, we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.”
― Veronica Roth, Divergent

“Shh,” I say. “Arms around me.” Obediently, he slips both arms around my waist. I smile at the wall. I am not enjoying this. I am not, not even a little bit, no.”
― Veronica Roth, Divergent

“You think giving you a hug would give away too much?" he says.
"You know," I say. "I really don't care."
I stand on my tiptoes and press my lips to his.
It is the best moment of my life.”
― Veronica Roth, Divergent

“Okay, okay.” I set my hand on top of his and guide it to my chest, so it’s right over my heart. “Feel my heartbeat. Can you feel it?”

“Yes.”

“Feel how steady it is?”

“It’s fast.”

“Yes, well, that has nothing to do with the box.” I wince as soon as I’m done
speaking. I just admitted to something. Hopefully he doesn’t realize that.”
― Veronica Roth, Divergent

“Okay. Then...I can talk. Ask me something."
"Okay." He laughs shakily in my ear. "Why is your heart racing Tris?"
I cringe and say, "Well, I...I barely know you. I barely know you and I'm crammed up against you in a box, Four, what do you think?"...
"Maybe you were cut out for Candor," he says, "because you're a terrible liar.”
― Veronica Roth, Divergent

“Peeta, how come I never know when you're having a nightmare?” I say.

“I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says.

“You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down.

“It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.”
― Suzanne Collins, Catching Fire

“You love me. Real or not real?"
I tell him, "Real.”
― Suzanne Collins, Mockingjay

“Well, don't expect us to be too impressed. We just saw Finnick Odair in his underwear.”
― Suzanne Collins, Mockingjay

“That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that.”
― Suzanne Collins, Mockingjay

“Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sister’s story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.”
― Erin Morgenstern, The Night Circus

“Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case.”
― Erin Morgenstern, The Night Circus

“We lead strange lives, chasing our dreams around from place to place.”
― Erin Morgenstern, The Night Circus

“He goes directly to the ballroom, making his way to the center of the dance floor. He takes Celia’s arm, spinning her away from Herr Thiessen.
Marco pulls her to him in an emerald embrace, so close that no one distinction remains between where his suite ends and her gown begins. To Celia there is suddenly no one else in the room as he holds her in his arms. But before she can vocalize her surprise, his lips close over hers and she is lost in wordless bliss.
Marco kisses her as though they are the only two people in the world. The air swirls in a tempest around them, blowing open the glass doors to the garden with a tangle of billowing curtains. Every eye in the ballroom turns in their direction. And then he releases her and walks away. By the time Marco leaves the room, almost everyone has forgotten the incident entirely. It is replaced by a momentary confusion that is blamed on the heat or the excessive amounts of champagne. Herr Thiessen cannot recall why Celia has suddenly stopped dancing, or when her gown has shifted to its current deep green. “Is something wrong?” he asks, when he realizes that she is trembling.”
― Erin Morgenstern, The Night Circus

“I made a wish on this tree years ago," Marco says.

"What did you wish for?" Bailey asks.

Marco leans forward and whispers in Bailey's ear. "I wished for her.”
― Erin Morgenstern, The Night Circus

“The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.”
― Erin Morgenstern, The Night Circus

“I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I'd catch myself just walking around to find you, not for any reason, just out of habit, because I'd seen something that I wanted to tell you about or because I wanted to hear your voice. And then I'd realize that you weren't there anymore, and every time, every single time, it was like having the wind knocked out of me. I've risked my life for you. I've walked half the length of Ravka for you, and I'd do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don't tell me why we don't belong together," he said fiercely.”
― Leigh Bardugo, Shadow and Bone

“As he read, I fell in love the way you fall asleep: slowly, and then all at once.”
― John Green, The Fault in Our Stars

“Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book.”
― John Green, The Fault in Our Stars

“I'm in love with you," he said quietly.

"Augustus," I said.

"I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you.”
― John Green, The Fault in Our Stars