Gabrielle (Reading Rampage)'s Updates en-US Sun, 06 Jul 2025 14:16:33 -0700 60 Gabrielle (Reading Rampage)'s Updates 144 41 /images/layout/goodreads_logo_144.jpg Comment292445798 Sun, 06 Jul 2025 14:16:33 -0700 <![CDATA[Gabrielle (Reading Rampage) commented on Gabrielle (Reading Rampage)'s review of Juliet, Naked]]> /review/show/1376298783 Gabrielle (Reading Rampage)'s review of Juliet, Naked
by Nick Hornby

Pseudonymous wrote: "fun review. I thought I had read this, but apparently not. I put it on my TBR list."

Thank you! It's a good one :) ]]>
Comment292435978 Sun, 06 Jul 2025 08:27:54 -0700 <![CDATA[Gabrielle (Reading Rampage) commented on Gabrielle (Reading Rampage)'s review of A Drop of Corruption]]> /review/show/7001536804 Gabrielle (Reading Rampage)'s review of A Drop of Corruption (Shadow of the Leviathan, #2)
by Robert Jackson Bennett

Pseudonymous wrote: "Nice review. I totally agree that everyone should read the Author's Notes on this one."

Thank you! His author's notes are always very interesting, he is a very intelligent and insightful man. ]]>
Review7194484598 Sun, 06 Jul 2025 06:29:29 -0700 <![CDATA[Gabrielle (Reading Rampage) added 'Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991']]> /review/show/7194484598 Our Band Could Be Your Life by Michael Azerrad Gabrielle (Reading Rampage) gave 4 stars to Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991 (Paperback) by Michael Azerrad
bookshelves: non-fiction, punk, american, own-a-copy, read-in-2025
]]>
Rating874654611 Sun, 06 Jul 2025 06:29:25 -0700 <![CDATA[Gabrielle (Reading Rampage) liked a userstatus]]> / Melanie Garcia
Melanie Garcia is on page 40 of 512 of Notre-Dame de Paris: I’m a bit lost already 😵‍💫
]]>
Rating874654587 Sun, 06 Jul 2025 06:29:22 -0700 <![CDATA[Gabrielle (Reading Rampage) liked a review]]> /
Catherine the Great & Potemkin by Simon Sebag Montefiore
"At 502 pages before notes and printed in a very small
font, this was a challenging read.

Rich in detail and well researched, it gives a true look at a lifelong passion, respect, and devotion between Catherine II of Russia and Grigory Potemkin.

Grigory died from typhoid fever in 1791. He contracted the illness while traveling to Jassy for peace talks. The infection led to bronchopneumonia.

He was 52 years old. Through time, there have been historic love affairs between Titans of power be they man or woman.

Napoleon and Josephine, Cleopatra and Antony, Henry Tudor and Ann Boleyn.

Catherine II of Russia was a Titan of mental steel and power. A survivor surrounded by plotters and traitors.

She began a 2yr physical whirlwind of sexual passion with Grigory Potemkin in 1774.
She was 44 yrs old, and he was 34 yrs old at this time.

He was a marvel of a man. Tall and muscular. He was known for his striking good looks. Women were drawn to him like a magnet.

The sexual relationship between Catherine and Potemkin ended in 1776.

He formed a devotion and bond to her that forged a partnership that never failed until his death.

In all things Catherine could trust Potemkin. He played a key role in the annexation of the territories of Crimea and the southern Ukraine with his military skill and advocacy on foreign policy.

Catherine had multiple lovers. While accounts vary, it's estimated she had between 12 and 22 lovers during her reign. These relationships were often for pleasure but also for political gain, as she used her lovers to consolidate her power.

Potemkin was different from all others in their shared respect and trust.

His loss in death was devastating news. She was never the same.

It is said with his death, "The golden age of her reign died with him".

Five Stars

I"
]]>
Rating874471847 Sat, 05 Jul 2025 14:41:26 -0700 <![CDATA[Gabrielle (Reading Rampage) liked a review]]> /
Tusk Love by Thea Guanzon
"I'm ready to accept that I don't really like romance and that's fine!

I think the best part about Tusk Loveis its place in the metanarrative of Critical Role. Folks, this is an actual romance book, set on the fictional world of Exandria. I feel like if this was what all romantasy was like I would have far less problems with the genre. Except... this is not romantic fantasy, this is fantasy romance.

Thing is, I don't really like romance as a genre, and I think this book kind of sedimented that for me. I don't think I would have ever considered reading this if not for the Critical Role element, and I definitely would not have finished it if not for the fantasy element. But it was fun for what it was!
The main thing that took me out of it was...the tropes were over-troping, so to speak, to a point where I could not even tell if it was meant to be tongue-in-cheek or taken at face value. Much as I enjoyed Oskar, I am self-aware enough to recognise the traits of ye olde man written by a woman. Ooohhh he's so bigly big and manly and gruff, but so sweet and emotionally intelligent, not talkative but knows exactly the right thing to say at the right time, self-serving and self-sufficient but upends his entire life to help a woman he just met out of the goodness of his heart... But also because she's beautiful and unique and smally small, and sheltered and inexperienced but soooo filled with love for life and wanderlust!
Like... Yeah, I get it.

Overall this was a moderately fun romp to read with my brain absolutely shut down, but I wouldn't re-read."
]]>
Review7711218157 Sat, 05 Jul 2025 06:31:17 -0700 <![CDATA[Gabrielle (Reading Rampage) added 'Summers on Lemondrop Lane']]> /review/show/7711218157 Summers on Lemondrop Lane by Phoebe  Moss Gabrielle (Reading Rampage) gave 4 stars to Summers on Lemondrop Lane (Bellwater Cove Series Book 1) by Phoebe Moss
bookshelves: read-in-2025, smut
]]>
Review1376298783 Thu, 03 Jul 2025 06:07:36 -0700 <![CDATA[Gabrielle (Reading Rampage) added 'Juliet, Naked']]> /review/show/1376298783 Juliet, Naked by Nick Hornby Gabrielle (Reading Rampage) gave 4 stars to Juliet, Naked (Paperback) by Nick Hornby
bookshelves: contemporary, own-a-copy, read-in-2025, used-bookstore-finds, reviewed
This is both a review and a confession of profound dorkiness. I’m half-embarrassed to post it, because it exposes one of my weird hyper fixations and how easily I can go full Charlie Kelly when my brain falls in love with something, but this community has been delightfully light on judgment over the past ten years, so here goes nothing!

Last fall, my husband fell into a music rabbit hole and pulled me along with him and now we are both totally obsessed with the Replacements (read my review of an awesome bio about them here: /review/show...). My own obsession eventually forked towards Paul Westerberg, who I became completely fascinated by. He is an incredibly talented, but extremely weird dude, and I can’t figure him out and it’s driving me crazy. As I dove deeper and deeper into his solo and side projects catalogue, a strange feeling of familiarity kept nagging at me. Partially because I have always had a terrible weakness for singers with smokers’ voices who have weird hair and wear too much flannel – and I now see that most of them were trying their very best to look and sound just like Paul Westerberg – but what I could understand of him as a person reminded me of something I had read before in a novel… but which novel?

Then I found out Nick Hornby wrote about one of Westerberg’s songs (“Born for Me”) in his book “31 Songs” (/review/show...) and the little lightbulb turned on. Tucker Crowe, the reclusive and legendary songwriter in “Juliet, Naked”. Of course. I had read the book about ten or twelve ago and had been less than impressed by it at the time due to my annoyance with Duncan’s character and what he puts Annie through (my own relationship at the time wasn’t going well, so I was not really receptive to a story about a man-child driving his girlfriend insane) but as soon as the possibility of a Westerberg inspiration popped in my head, I knew I had to re-read it… just to be sure.

In case you are new here: hi, I’m Gabrielle and I think I might actually be a “High Fidelity” character who somehow escaped the novel, because I am the kind of person who looks for evidence of other people sharing my musical obsessions across time, space, and medias. Dear Lord. Maybe I need help?

Anyway, the book.

Duncan and Annie have been together for about fifteen years, and their relationship, which was never great, is now basically roommates with very occasional benefits. He’s a teacher, she curates a small museum. Their life is quiet and not terribly interesting. Duncan has long been obsessed with a reclusive American singer-songwriter named Tucker Crowe and runs a fan website dedicated to his work and life. Annie enjoys Crowe’s stuff, but definitely not on the same level as her boyfriend. So when an acoustic demo version of Crowe’s landmark record, ‘Juliet’, lands in Duncan’s lap, he predictably loses his mind and goes on a huge rave about how incredible this version of record is. But Annie is not impressed by the unfinished-sounding songs, and after a fight with Duncan on the subject, she writes a negative review of ‘Juliet, Naked’ on his website. To her surprise, she receives an email from Tucker Crowe himself, thanking her for her honesty, and agreeing with her that the unfinished songs are not as good as the polished version. They begin an epistolary relationship Annie decides not to tell Duncan about. As her relationship with Duncan finally cracks and breaks, she begins to wonder what she wants to do with the rest of her life. Then Annie’s ‘friendship by correspondence’ takes an interesting turn when Tucker travels to the UK to visit his estranged daughter…

It's a Nick Hornby book, so it’s a quick read, filled with moments that range from poignantly heartbreaking to hilariously (and often cringey) relatable, and it’s filled with flawed characters you could believe are real people, with loads of good intentions and baggage. It will never unseat “High Fidelity” as my favorite Hornby book, but on this second read, I found it to be almost a natural sequel to his classic debut. If Rob was a 90s music nerd, Duncan is the 2009 updated version of said music nerd archetype, and I often blushed when reading his judgmental inner monologue about people who don’t love the same art he does… because I’ve definitely had those thoughts myself when I was a little less patient with people who didn’t agree with me about my tastes in music/movies/books. I’m really happy I am no longer this obnoxious and rigid in my thinking. Duncan also follows Rob’s pattern of letting his hobby/passion take over his life and damaging his relationship to the point where a woman has to leave (or kick him out, same difference) to shock some sense into him. Also like “High Fidelity,” this is a book about second chances, but in a completely different way. The addition of a third, outsider perspective with Crowe is interesting: Rob had a constant inner monologue, but Annie engages in an actual conversation with Tucker, whose input helps her focus and realize that she still has time to live and to do whatever she wants.

This book is an insightful look at online fandoms and the parasocial relationships we develop with the art we love and the artists who make it, which I am sure is something Hornby has spent a lot of time thinking about, if the themes of many of his books are any indicators. Annie’s reasoning, that Tucker’s music being deep and meaningful does not automatically mean that he is a good person, echoes my own relationship with a lot of music that I love but that was made by shitty people (and yes, that includes Mr. Westerberg, who would never be described as a saint by anyone). One doesn’t endorse the artist’s actions simply because they enjoy the art; it just feels that way when we ascribe a moral value to art, and focus on the materialistic aspect of consuming art, i.e., paying for content. It also makes an interesting point about our idols being real people who go to the store to buy groceries, struggle with unresolved mental garbage of their own and are under no obligation to be pleasant 24/7. Hornby wants to remind us that putting people on a pedestal is always a bad idea, and that we don’t see celebrities clearly, an idea beautifully highlighted by the moment Duncan meets his idol and doesn’t believe Crowe when he tells him who he is. The idolized/idealized image living in our head and the flesh and blood human being are never going to match. And honestly? That’s OK. I kind of prefer it that way.

Did I spend a lot of time looking for correlations between Tucker Crowe and Paul Westerberg? Yes. An unreasonable amount of time if I am honest. I’d be worried about being the Duncan in my marriage if my husband wasn’t as crazy about the Replacements as I am (he has actually made a spreadsheet of every version of every song in their catalogue because we have too many rarities and B-sides, expanded, remastered and deluxe editions to keep it all straight). And honestly, from everything I know about him from the books, interviews, concert footage and, obviously, from his music, I remain firmly convinced that Westerberg was Hornby’s muse here. Tucker’s contrarian nature, his tendency for self-deprecation to mask his insecurity, his views of his music as inauthentic garbage (Westerberg famously said that “Unsatisfied” is one of the most ‘overrated, half-assed, half-baked songs’ he’s ever written, which is absurd), his reputation for uneven performances ranging from drunken mess to incandescent, the way he enjoys the relative obscurity in which he now lives and the freedom to spend time simply being a father… It feels just similar enough to confirm my hypothesis beyond reasonable doubt, and to absolutely no one’s surprise, there are a few Paul Westerberg fan sites out there with message boards full of people who have, somewhat ironically, also made the connection between the fictional reclusive musician and the real one: .

I love it when I’m right.

I know there’s a movie adaptation out there, and despite my affection for Chris O’Dowd, I’m not sure I want to see it. Ethan Hawke as Tucker makes no sense to me at all in terms of casting, and yes, that might be because I already have a very specific mental image in mind. I might pass on the movie, but my rating of the book did gain a star on this second read. It still has some flaws, but chalk it up to better timing or simply to my own ongoing musical obsession, but I had more fun with this book this time. I don’t forgive Duncan’s utterly moronic behavior in the least – in fact I like him even less this time around, what a chump – but being closer in age to the characters, I feel like I understand them better than when I first read this, well over ten years ago. I understand relationships very differently now than I did back then, especially the dynamics of relationships between people who are middle-aged. And honestly, I get why Duncan clings to his records, why they are such a big part of his identity, why it makes him feel threatened when the person he shares his life with rejects something he is excited about. But I also get why Annie doesn’t think that it’s enough. In fact, I now think of her as the best female character written by Hornby: smart, very human in her longings, and determined to really live her life.

Funny how books change when you let them sit on a shelf long enough. Or maybe we change, and the books just hold up a mirror. Like a really good song.



A few quotes:

"(...) her inability to recognize the brilliance of the album was indicative of a failure in taste that appalled him."

"She wondered why someone would bother to write that; but then, 'Why bother' was never a question you could ask about more or less anything on the Internet, otherwise the whole bunch of them shrivelled to a cotton-candy nothing." (I feel like I need to point out this was written in 2009 and it hasn't changed even an iota.)

"She didn't know who or what she had fallen in love with, but she was as lost and as dreamy and helpless as she'd ever been in her entire life."

"I've listen to it [the album 'Juliet'] hundreds of times, and it still doesn't feel to me as though I've emptied it."

"It had never occurred to him that his work was redeemable, or that he was redeemable through his work. But as he listened that afternoon to an articulate, nerdy man tell him over and over again why he was a genius, he could feel himself hoping that it might actually be true." ]]>
Comment292307110 Wed, 02 Jul 2025 05:37:38 -0700 <![CDATA[Gabrielle (Reading Rampage) commented on Gabrielle (Reading Rampage)'s review of 11/22/63]]> /review/show/1444865939 Gabrielle (Reading Rampage)'s review of 11/22/63
by Stephen King

Douglas wrote: "The turducken is the perfect metaphor for this book!"

Thank you, Douglas! ]]>
Review7703076145 Wed, 02 Jul 2025 04:11:33 -0700 <![CDATA[Gabrielle (Reading Rampage) added 'Through the Dust']]> /review/show/7703076145 Through the Dust by Amber  Palmer Gabrielle (Reading Rampage) gave 3 stars to Through the Dust (Black Springs Ranch, #2) by Amber Palmer
bookshelves: read-in-2025, smut
]]>