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376 pages, Hardcover
First published May 5, 2015
“You clueless jellyfish. My people would have you thrown into the Great Abyss to prevent you from mating and creating more dull-witted minnows. No wonder these sea cucumbers are so simple.”
“Don’t act all offended. You’re a notorious slut, Ms. Carnal Coney Island.”The best friend in this book, to me, is the latter.
The Chinese hated the Japanese, and the Jamaicans hated the Koreans, and the Mexicans hated the African Americans, and the Russians hated the Orthodox Jews, and the white people hated all of them. And sometimes, on very hot days, someone got stabbed because of the flag on his car. If America is a melting pot, Coney Island is the overcooked crusty stuff on the bottom of the pan.(I can testify that the whole Chinese hates the Japanese thing is true, but I can't say whether everything else is, being a West-Coast-er). But in the middle of this clusterfuck, you have fish folks added to the mix.
And the biggest, meanest, shrillest of them all, Governor Bachman, is back in a fresh blue business suit and a brand-new megaphone.There is no good reason why the fuck these people have emerged from the sea after all these years, these supremely powerful people, to live among a bunch of humans who are, frankly, disgusting, racist, and idiotic.
“It is the ceiling that troubles me,” he says. “I am not used to having something over my head.”Yet they allow themselves to be imprisoned in a tent city, packed together like sardines in a can. Pun intended.
Now it’s the home of a massive tent city inhabited by thirty thousand immigrants who call themselves the Alpha, or the First Men. They have a similar fence, guarded by two hundred National Guard members.The sea people in this book are unoriginal. There are the warrior-like Nix, and the *yawn* Sirena. So very generic.
She was a vision of hotness, but most Sirena are. They’re the closest to what people think of when you think mermaid—long flowing hair, beautiful face, flawless body—but when they’re on land they lose their tails and at first glance are as human as everyone else.Their speech is laughable. The Nix can't be counted on to say anything without yelling and grunting in a Thor-like manner, and it's so very sad that these imaginary creatures fit the image of every single image the humans have had of mythical sea monsters and creatures since the beginning of time. Really. So dull.
“You take these girls to the school, Leonard?” she asks my father in her thick, growly accent. She’s been in our building for fifty years, ever since emigrating from Eastern Europe—maybe Hungary, maybe Russia—I can’t remember. It’s someplace where the neighbors used to spy on one another for the government.
As soon as the elevator doors open, I wish we had taken the stairs. Mrs. Novakova, short and squat, is lurking inside, like a creepy garden gnome peering out of the brush.
“When we leave town she’s coming with us,” I whisper.
My father frowns. “Lyric, no.”
“I won’t go without her,” I say.
“We’ll discuss this later,” he says.
“That’s fine, as long as you know I won’t go without her.”
I must admit, I had low expectations for Undertow initially. It seemed like your generic alien invasion dystopia – aliens come, aliens are misunderstood, aliens prepare for fight with humans, one human understands them and must stop the battle before it’s too late. Truthfully, the only problem with this book is the injustice any kind of summary can do to it.
I fell in love with Lyric instantly. After getting over the Walker family’s names, which were later explained and reasoned, I was free to give her the adoration she deserves. She has depth that is astoundingly realistic, her motivations gradually revealed throughout the story, each point becoming clear in the reader’s mind just lines before its reveal. Her life is grounded in her surroundings and relations and she clearly had one even before the happenings in the book have started. We get a glimpse all versions of Lyric, and they’re all so fantastic and realistic and multi-layered I have nothing bad to say. In fact, every character in the series gets the same treatment, with a distinguished personality to even the most minor characters.
Lyric’s world is astounding as well. Every character is of a different ethnicity and background, with themes such as money and abuse intricately woven into the story. The locations are engraved into my mind completely, from the boardwalk to the amusement parks near the beach to the rooftop Gabriel took Lyric to.
I’ll admit, this book’s beginning is completely average. It didn’t force me to stay up, nor did it linger in the back of my mind at every moment, but once you get through to the middle you won’t put the book down until the end. The tension in Coney Island and the urge to find out more about the Alpha and Lyric’s relation to them will pull you in even when the plot is slow, and a heart-breaking death is, of course, included in the YA-book package.
In short, except for the slow beginning there’s nothing not to love in Undertow, from the characters to the world-building to the plot.